JHASS
On Cyborg Art from Traditional Plastic Art to “Body” Expression
TOTAL VIEWS: 5037
Abstract
Cyborg art from the earliest picture of imagination to now presents a concrete image, in this process, people’s technology and concept of “Cyborg” gradually deepened. This study will take “How Do We Become Posthumans” as the theoretical support, and explore and analyze the evolution of Cyborg technology and Cyborg concept in combination with works such as “Dadasov Self-Portrait”, “Emotion Analyzer”, “Rewired/Remixed: The Divided Body” and their phenomena. With the development of The Times, our “body” in the narrow sense gradually disintegrated, and towards “post-body” and “post-human” development. The flourishing situation of Cyborg art in the world and the gradual emphasis on Cyborg theory in China are conducive to the development of a new topic for the understanding and application of Cyborg metaphor in Chinese contemporary art. The better integration of art and technology will promote the interdisciplinary development of Cyborg art and bring more elements and more diverse presentation to the picture of the future society.
References
A promise. (2022). Discussion on the theme of Cyborg in Contemporary art and Consideration on Ethical Issues [J]. Artists, (04):128-130.
Alexander, N. (2015). “They Dance the Body Electric: Cyborg Artists Land in Central Israel”. Haaretz.
Biro, M. (2009). The Dada Cyborg: Visions of the New Human in Weimar Berlin. Minneapolis: University of Press.
Chen Yuheng. (2019). New media research, 5(24):13-15. (in Chinese).
Else, L. (2012). “A Cyborg Makes Art Using Seventh Sense”. New Scientist.
Fu Tong. (2021). Analysis of Art Creation from the perspective of Saiborg and “Post-human” culture [D]. Central Academy of Fine Arts.
Hu Qiyuan. (2022). Cyberborg Era: Embodied Communication in digital technology [J]. Shanghai Informatization, (06):18-22.
Jian Shengyu. (2021). “Cyborg”and “Metaverse”: The problem of “Body Existence” in the context of virtual reality [J]. Journal of Guangzhou University (Social Sciences Edition), 222, 21(03):91-104.
Joyce Lie. (2021). Cyborg Image: Mechanical Body and Dystopian Presentation [J]. Audiovisual, (04):89-90.
Latour, B. (1993). We HaveBeen Modern. Cambridge & Massachusetts: Harvard University Press.
Li Bingyan. (2021). From “Cyborg Body” to “Metaverse”: The Post-human Perspective of Science fiction Films [J]. Journal of Guangzhou University (Social Sciences Edition), 2021, 21(03):119-127.
Li Zhi. (2022). Research on Man-machine Relationship in Saiborg’s Art [D]. Hubei Academy of Fine Arts.
Liang Yongjia. (2021). The so-called “Cyborg Anthropology” [J]. Northwest Ethnic Studies, (04):78-87.
Lin Tian. (2021). Research on Donna Halaway’s Cyborg View of the Body [D]. Central China Normal University.
Ma Jiaqi. (2020). From Frankenstein to Cyborg: Liberating the Imagination of the Body [D]. Fujian Normal University.
Ma Shidi. (2022). Cyborg Trapped in “Post-human”: Human-machine relationship research [D]. Beijing Foreign Studies University.
Peng LAN. (2022). New Media User Research: Nodal, Mediumized, Cyberborg People [J]. Research on City Party Newspaper, (02):94.
Shao Wenjing. (2021). Mutual embedding: The Relationship between human and Technology from the perspective of Cyborg [J]. Audiovisual Science, (01):36-39.
Shi Chang. (2019). The Eyes of Saiborg: Post-human Horizon and its visual Politics [J]. Literature and Art Studies, (08):114-126.
Sun Xuyang, Yuan Bo. (2021). Liquid metal-based Cyborg Biomedical Era [J]. Science, 2021, 74(02): 23-26+4. (in Chi-nese)
Wang Fei, Fan Xiangyu. (2022). Game’s perspective of artificial intelligence in the advertisement of space-time [J]. Journal of the international press, 44 (4): 116-130.
Wang Yaqin. (2021). “Cyborg”: Body Paradigm and aesthetic metaphor in the post-human era [J]. Journal of Hebei Normal University (Philosophy and Social Sciences Edition), 2021, 45(01):142-148.
Zhao Yushan. (2022). Research on the Media Language of Bio-Art in the framework of “Cyborg Theory” [D]. Lu Xun Academy of Fine Arts.
How to cite this paper
On Cyborg Art from Traditional Plastic Art to “Body” Expression
How to cite this paper: Xiaoyi Qin. (2022) On Cyborg Art from Traditional Plastic Art to “Body” Expression. Journal of Humanities, Arts and Social Science, 6(3), 483-488.
DOI: http://dx.doi.org/10.26855/jhass.2022.09.032
More Articles
- Why Are Airborne Troops Always Controversial?
- Resolution and Thinking on the Rights of Third Parties in the Joint Development of the South China Sea
- Representation, Extension and Integration: Aerial Photography and Body
- The Competitive Environment of Chinese Sporting Goods
- Feminist Interpretation of the Novel of Educated
- Study on the Selection of New Members of the University Students' Union from the Perspective of Group Decision-Making