TOTAL VIEWS: 419
Qing dynasty court paintings were not only a part of royal art, but also an important medium for the Qing rulers to express imperial authority and cultural symbols through visual art forms. The purpose of this paper is to explore how Qing dynasty court paintings embodied imperial ideology and served the politics of imperial authority through their themes, styles, and symbolic elements while demonstrating the cultural aesthetics of the Qing rulers and the shaping of the national image. By analyzing the political and cultural symbols in Qing dynasty court paintings, this paper reveals the important role of Qing dynasty court paintings in maintaining political authority, promoting Confucianism, and demonstrating multi-ethnic harmony. At the same time, it analyzes how court paintings demonstrated the legitimacy of the Qing dynasty's external rule, consolidated centralized power, and conveyed the emperor's mandate of heaven and the legitimacy of his rule through detailed and symbolic images.
Fang Huang. (2012). Analyzing the Characteristics of Painting Education in the Qing Dynasty—The Influence of the Importation of Western Painting Methods. Talent, 35, 121.
J. Hu. (2024). The creation of aesthetic imagery in Chinese landscape painting from the perspective of neuroaesthetics. Academic Monthly, 56(05), 168-178. DOI: 10.19862/j.cnki.xsyk.000860.
Xiaogui Li. (2023). Study on the relationship between court paintings and famille rose ceramics in Qing Dynasty. Jingdezhen Ceramics, 51(05), 183-185.
Xiaohong Wang, et al. (Compiled) (1996). First Historical Archives of China edited; Kangxi dynasty Manchu Zhu Qi, Zhang Fu full translation. China Social Science Press.
Zhongliang Zhou, & Dongsheng Ren. (2023). Analysis of the Nationality of Manchu Translation of Confucian Texts in the Pre-Qing Period. National Translation, 05, 35-42.
Qing Dynasty Court Paintings and the Embodiment of Imperial Ideology
How to cite this paper: Zekun Xiao. (2024) Qing Dynasty Court Paintings and the Embodiment of Imperial Ideology. Journal of Humanities, Arts and Social Science, 8(10), 2423-2429.
DOI: https://dx.doi.org/10.26855/jhass.2024.10.027