JHASS
Withdraw into Silence Versus Torrential Monologue—On the Contrastive Coping Mechanisms in “The Hill Wife” and “A Servant to Servants”
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Abstract
A defining feature of Frost’s poetry is its pastoral setting for modern themes, yet this pastoral backdrop often seems indifferent or even hostile toward humanity. In most of his poetry, the home is always situated in remote New England, and its distant, desolate landscape adds extra loneliness and fear to his verses. The rural environment implies isolation—far from towns and crowds, with few visitors and little companionship or communication. In such settings, mutual understanding, support, and dialogue between husband and wife become crucial for marital happiness and survival. The exhaustion and loneliness of reality clash with fa-milial responsibilities, leading to divergent choices. In “The Hill Wife,” the wife withdraws and perishes after failed communication with her husband, while in “A Servant to Servants,” the wife, unable to speak openly to her husband, confides in a passing stranger. Through these contrasting choices, Frost illustrates that conflict and hardship are inevitable in relationships, yet reconciliation with others, life, and society must be learned.
References
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How to cite this paper
Withdraw into Silence Versus Torrential Monologue—On the Contrastive Coping Mechanisms in “The Hill Wife” and “A Servant to Servants”
How to cite this paper: Junli Zhang, Xue Zhao. (2025) Withdraw into Silence Versus Torrential Monologue—On the Contrastive Coping Mechanisms in “The Hill Wife” and “A Servant to Servants”. Journal of Humanities, Arts and Social Science, 9(6), 1087-1091.
DOI: http://dx.doi.org/10.26855/jhass.2025.06.006
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