
TOTAL VIEWS: 574
In the current era of firm cultural confidence and deepening aesthetic education reform, the teaching of traditional Chinese music in public elective courses in universities faces an urgent need to transform from knowledge transmission to value guidance and life inheritance. This article proposes the core concept of “activating” teaching to address the current difficulties in teaching practice, such as low student interest, outdated teaching content and methods, and insufficient interpretation of cultural spirit. The research aims to explore how to use diverse strategies such as situational immersion, modern technology empowerment, creative practice, and Sino-Western dialogue to transcend static text and sound in ancient Chinese traditional music and reintegrate it into the aesthetic experience and cultural life of contemporary college students. Practice has shown that this “activation” path can effectively stimulate the learning drive of non-professional students, guide them to deeply perceive the beauty of traditional music forms, and deeply understand and identify with the national spirit and philosophical wisdom behind them, thus providing a teaching paradigm for solidly building cultural confidence in general education.
Cultural confidence; Chinese traditional music; Activate teaching; Public elective courses; Teaching reform
Guan, J. (2006). Postmodern music education. Shaanxi Normal University Press.
Guo, S. (2018). The value and mission of art education. Educational Research, (5), 45-51.
Han, X. (2020). Research on the application of project based learning in general education courses in universities: Taking the course of music and technology as an example. China University Teaching, (Z1), 87-91.
Liu, C. (2019). Humanistic interpretation of Chinese music. Shanghai Music Publishing House.
Luo, Q. (2010). Culture in music and music in culture. Shanghai Conservatory of Music Press.
Ministry of Education of the People’s Republic of China. (2019, April 11). Opinions on strengthening the art education work in higher education institutions in the new era.
http://www.moe.gov.cn/srcsite/A17/moe_794/moe_624/201904/t20190411_377523.html
Motor, & Chen, Y. (2016). Analysis of the reform of the “flipped classroom” teaching mode in public art courses in colleges and universities. Art Education, (11), 90-92.
Shi, Y. (2018). Research on the aesthetic psychology of Chinese music. Shanghai Conservatory of Music Press.
Song, J. (2015). Traditional Chinese music education in the postmodern context. Music Research, (4), 68-76.
UNESCO. (2003). Convention for the protection of the intangible cultural heritage.
Wang, A. (2013). Research on the protection of intangible cultural heritage. Culture and Arts Press.
Wang, A. (2019). Public music education in universities from the perspective of aesthetic education. People’s Music, (7), 52-55.
Wang, Y. (2010). The thinking mode, creative methods and characteristics of traditional Chinese music structure. Journal of the Central Conservatory of Music, (1), 3-13.
Xi, J. (2017). Decisive victory in building a well off society in all aspects and striving for the great victory of socialism with Chinese characteristics in the new era: Report at the 19th National Congress of the CPC. People’s Publishing House.
Xiang, Y. (2019). The return and protection of tradition: Reflections on the inheritance of traditional Chinese music. Chinese Musicology, (2), 5-12.
Xiao, M. (2019). Anthropology of music culture. China Social Sciences Press.
Ye, L. (2014). A general history of Chinese aesthetics. Jiangsu People’s Publishing House.
Yuan, J. (2018). Introduction to traditional Chinese music. People’s Music Publishing House.
Zhang, B. (2018). Reflection and practice on the dynamic inheritance of traditional Chinese music. Journal of the Central Conservatory of Music, (2), 3-12.
Zhao, T. (2017). Research on the inheritance of ethnic minority music in school education. Music Research, (3), 5-14.
Exploring the Teaching Path of “Revitalizing” Traditional Chinese Music in University Public Elective Courses from the Perspective of Cultural Confidence
How to cite this paper: Jing Yang. (2025) Exploring the Teaching Path of “Revitalizing” Traditional Chinese Music in University Public Elective Courses from the Perspective of Cultural Confidence. Journal of Humanities, Arts and Social Science, 9(10), 2048-2057.
DOI: http://dx.doi.org/10.26855/jhass.2025.10.034